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Postmodern
church targets Generation X in Seattle
By
Sarah Means, The Washington
Times, August 12, 1998
When
Matt Johnson's friend invited him to a "postmodern" church in Seattle
18 months ago, he wasn't sure what to think.
The
Seattle rock band drummer resonated with the church's goal to find
truth in beauty and art. But he became suspicious when the church
said it was targeting Generation X.
As
a Christian who had tried several large churches with youth programs,
Mr. Johnson was reluctant to try a church that had already pigeonholed
everyone born between 1965 and 1980 as being on intimate terms with
MTV, restlessness and body piercing.
What
the Roadside Monument musician found at Mars Hill Fellowship Seattle's
University district was a "congregation" where the average age was
23 and members didn't seem to care whether one sports blue hair or
a necktie.
About
150 churches targeting Gen Xers have sprung up across the Unites States
in the last decade. Loosely known as "post-modern" groups, they meet
on skateboard ramps, in coffee houses and at punk thrash concerts.
Music ranges from traditional hymns to heavy metal.
At
the Skater Church in Portland, Ore., hot and sweaty skateboarders--
all of them boys ages 12-20 - get skating lessons and a Bible lecture
three times a week on a 10-foot skating ramp. Last week's lesson included
anecdotes from the move "The Truman Show."
Dressed
in a white T-shirt, youth leader Paul Anderson, who works out of Portland's
Central Bible Church, discusses an upcoming mission trip to Canada.
"I
don't want anyone coming that isn't serious about sharing their faith,"
he tells them.
Such
churches are trying to make their mark on a society that often does
not believe in absolutes.
"I
don't think what we're doing is new. I think we're just living in
our time."- Mark Driscoll
"I
never felt comfortable in the Christian subculture: the looks, Christian
music, religious right, that whole thing," says Mark Driscoll,27,
of Seattle, one of the founders of the postmodern church movement.
"but I wouldn't classify myself as a liberal. I felt homeless in a
lot of ways."
He
started Mars Hill Fellowship almost two years ago as a place where
young people frustrated with traditional churches could express themselves.
Mr. Johnson was one of the first to join the group, which evolved
from a Bible study for students meeting in Mr. Driscoll's home.
"The
Gospel always needs to be contextualized," Mr. Driscoll says. For
instance, at the Seattle Mars Hill, musicians may worship God through
dance or by meditating on a freestanding painting.
"So
wherever you're at and however the culture around you changes and
the people around you changes, you totally reinvent your church to
speak to those people," he says.
Fitting
a church to one's culture has built-in-hazards, cautions Ken Myers,
the founder of a Charlottesville-based Christian tape series, also
called Mars Hill.
"I
think the church is always being called to be counter-cultural," he
says. "So my big concern is, if you reach a culture on it's own terms,
can you turn around and be counter-cultural?"
Many
postmodern churches are linked through a national organization called
the Leadership network, originally founded to help connect 1,500 pastors
of mega churches like Willowcreek Community Church in Illinois. Postmodern
churches are a subgroup of this network.
The
term 'postmodern' became popular in the 1970s when architectural critic
Charles Jencks described an architect's rejection of the modernist
International Style of architecture- a design based on well-ordered
glass boxes. The word soon came to define a rejection of the Enlightenment,
which taught that truth can be arrived at through scientifically provable
methods.
Postmodernism
rejected Western rationalism, saying every tradition could be challenged.
Artist Robert Rauchenberg questioned Lenardo da Vinci's originality
when he placed palm fronds in his early 1980s work "The Razorback
Bunch" alongside a photograph of the Mona Lisa.
In
philosophy Frenchman Jaques Derrida, who is considered a founder of
postmodernism, told Johns Hopkins University students in 1966 that
there was no such thing as absolute truth. The movement grew from
there.
Postmodernism
has manifested itself in other churches by questioning all the former
techniques for teaching the Bible, evangelism or conducting a church
service. The result is a potpourri of traditions.
"in
the same service we may have Episcopal communion, Russian Orthodox
art and candles and a rock band," says the Rev. Ron Johnson of Pathways
at the University of Denver. Like other post modern churches, Pathway
holds to the Apostles and Nicene creeds, but differs greatly in the
ways it practices the sacraments like the Eucharist and baptism.
Pathways
combines the bible with "narrative theology," which involves using
people's personal life stories and group discussions as a way to discover
truth about God.
But
not all evangelical Christians are comfortable with such methods.
Mr. Myers warns that just finding truth in stories could lead to what
he called a "don't worry, be happy" mentality that avoids facing personal
moral responsibility.
"There's
a profound relativism about postmodernism that I don't think is a
solution to the problem of modernity," he says.
Churches
like Willowcreek use postmodern techniques in individual programs
but not in the main church service. Steve Gillen, the producer of
Willowcreek's Gen. X service, says that use the same tools -- storytelling
and the arts -- to teach unchurched youth about Christianity in their
Axis program. But Doug Pagitt, president of the Leadership Network,
wonders how effective that program can be in a church that is largely
geared toward baby boomers, not Gen X'ers.
"What
we saw was that the 'boomer churches' ... were strongly individualistic,
very rational, very knowledge-based," he says.
British
theologian and author OS Guinness believes both methods are little
more than passing church trends.
"For
Christians to take to calling themselves postmodern just when postmodernism
is disappearing is another example of a suicidal search for relevance,"
he says. The only way to be relevant to the future church, he says,
is to stress the timeless principles of Christianity.
For
Mr. Driscoll though, church isn't about trends.
"I
don't think what we're doing is new," he says. "I think we're just
living in our time."
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